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<channel>
	<title>otra cosa sin nombre</title>
	<link>https://otracosasinnombre.com</link>
	<description>otra cosa sin nombre</description>
	<pubDate>Sat, 02 May 2026 03:17:56 +0000</pubDate>
	<generator>https://otracosasinnombre.com</generator>
	<language>en</language>
	
		
	<item>
		<title>TSRESIDENCYS</title>
				
		<link>https://otracosasinnombre.com/TSRESIDENCYS</link>

		<pubDate>Fri, 28 Nov 2025 20:10:18 +0000</pubDate>

		<dc:creator>otra cosa sin nombre</dc:creator>

		<guid isPermaLink="true">https://otracosasinnombre.com/TSRESIDENCYS</guid>

		<description>
Paseo Álvaro Obregón S/NEsq. RangelCentro, 23300Todos Santos, B.C.S., México
Open Monday 
to Saturday 
from 4 to 8 pm

Or by appointment 
via WhatsApp message
to +52 415 113 1399</description>
		
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	<item>
		<title>todossantos</title>
				
		<link>https://otracosasinnombre.com/todossantos</link>

		<pubDate>Wed, 15 Oct 2025 06:43:43 +0000</pubDate>

		<dc:creator>otra cosa sin nombre</dc:creator>

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		<description>
	
	





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		<title>lo nada pasa</title>
				
		<link>https://otracosasinnombre.com/lo-nada-pasa</link>

		<pubDate>Fri, 20 Mar 2026 22:04:25 +0000</pubDate>

		<dc:creator>otra cosa sin nombre</dc:creator>

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		<description>
Exhibición Artista Local Todos Santos No. 1
LO NADA PASAEmiliano Morris

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 Lo nada es lo irrellenable

Lo nada es la ballenabajo una luna roja que no termina de caer

las risas que no se oyenal estar tan lejos

Lo nada son los vecinos de al ladoa quienes crees que no haces caso

Lo nada es el fuegola noche atravesada de satélites

tan solo el airetus pensamientostu fantasma

las mariposas cafésla costumbre

Lo nada es la fábula frente a un espejo

lo que vuelalo que correse arrastray lo que nada librey nada más

la niebla que cubre la láminala niebla del desierto en marzo

Lo nada es lo invisibleLo nada es lo nimio

un pueblo hecho de pueblos imaginarios

y entonces

ya no alcanza decirlo

algo se quedasin entrar en la frase

sin aceptar la forma

no esno termina de ser

y aun así

insiste

eso

mirándote

este abismoque te mira de regreso



&#38;nbsp;
	En la nueva sede de Otra cosa sin nombre en Todos Santos, la exposición Lo nada pasa de Emiliano Morris Hernández-Campbell inaugura la primera muestra dedicada a un artista local. La exhibición reúne obra previa junto con piezas realizadas especialmente para este espacio, marcando un cruce entre trayectorias: la del artista y la de la galería en su nuevo territorio.

Nacido en Guadalajara en 2001 y formado entre México, Estados Unidos, Francia y China, Morris despliega en su obra ficciones abiertas donde personajes, bestias, presencias ambiguas o momentos ominosos interrumpen la escena y sugieren transiciones, delirios o desenlaces posibles, donde habitando paisajes evocan la tradición figurativa occidental al tiempo que la fracturan.










Lo nada pasa cuestiona las narrativas que sitúan la cotidianidad de los espacios y tiempos de la provincia como escenarios donde poco ocurre. Más que afirmar esa idea, Lo nada pasa,&#38;nbsp;tensiona aquello que, sin ocupar el centro, configura formas poderosas de experiencia, de tiempo y de acontecimiento.
Otra cosa sin nombre - Todos santos,&#38;nbsp;
	T










he event of nothing



 is the unfillable












is the whalebeneath a red moon that never quite falls

the laughter that can’t be heardfrom so far away

The event of nothing is the neighbors next doorthe ones you think you ignore

is firethe night crossed by satellites

only the airyour thoughtsyour ghost

brown butterflieshabit

The event of nothing


what flieswhat runswhat crawlsand what swims freeand nothing more

the fog that covers the sheet metalthe desert fog in March

The event of nothing is the invisibleThe event of nothing is the trivial

a town made of imagined towns

and then

it’s no longer enough to say it

something remainsoutside the sentence

refusing form

it is notit doesn’t fully become

and still

it insists

that

watching you

this abyssthat looks back at you&#38;nbsp;
	At the new location of Otra cosa sin nombre in Todos Santos, Lo nada pasa, an exhibition by Emiliano Morris Hernández-Campbell, inaugurates the gallery’s first show dedicated to a local artist. The exhibition brings together previous works alongside pieces created specifically for this space, marking a convergence between trajectories: that of the artist and that of the gallery in its new territory.


Born in Guadalajara in 2001 and shaped across Mexico, the United States, France, and China, Morris develops in his work open-ended fictions in which characters, beasts, and ambiguous presences inhabit landscapes that evoke the Western figurative tradition while simultaneously fracturing it. Windows, cracks, and thresholds interrupt the scene and suggest other possible spaces, as if the painting itself were uncertain of its surface.
OCSN / TODOS SANTOS, 2026






	
	



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	<item>
		<title>variossantos</title>
				
		<link>https://otracosasinnombre.com/variossantos</link>

		<pubDate>Thu, 15 Jan 2026 05:59:40 +0000</pubDate>

		<dc:creator>otra cosa sin nombre</dc:creator>

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RESIDENCIA TODOS SANTOS II&#38;nbsp;
VARIOS SANTOSJesse Fowler

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 Jesse es ilustrador y narrador de historias a través de palabras, imágenes y textiles. Nació y creció en una región apalache pobre y explotada del oeste de Carolina del Norte, donde la herencia rara vez se transmitía en dinero y era más común en forma de baladas, folclore, objetos hechos a mano como colchas, orgullo y amor por la naturaleza. Si bien la globalización le quitó trabajo a muchos en su hogar, ya que las fábricas textiles se mudaron a lugares de Asia o Latinoamérica, también trajo inmigrantes mexicanos, cuya propia cultura de narración y artes textiles resonó con él. 

Después de estudiar literatura, folclore y tejido en Kentucky, Jesse obtuvo una beca de enriquecimiento artístico que le permitió viajar a Chile y Bolivia para aprender más técnicas en artes textiles. Aunque profundamente arraigado en la cultura apalache, pero no del todo cómodo allí, finalmente se sintió como en casa en la Ciudad de México, donde continúa explorando la identidad en el contexto del capitalismo tardío.
	Jesse se inspira en su amor infantil por los héroes de cómics que, en realidad, funcionan como herramientas del colonialismo y propaganda del bien y el mal según lo determinado por el imperio estadounidense, sus héroes son ahora aquellos que viven al margen o en contra de esta sociedad, creando sus propias reglas (o la falta de ellas) sobre la marcha. "Varios Santos" es un proyecto en curso de máscaras, fotografía, cómics y performance que imagina a estos héroes como santos de la travesura, la desvergüenza, el ecoterrorismo, la carretera, la tristeza, etc., creados en Todos Santos y sus alrededores o inspirados por ellos, en colaboración con Otra Cosa Sin Nombre.

	Jesse is an illustrator and story teller through words, image, and textiles. Born and raised in a poor and exploited appalachian region of western north carolina where inheritance was rarely through money and more commonly passed down in the form of ballads, folklore, handmade objects like quilts, pride, and a love of the natural world. While globalization took work from many in his home as textile mills moved to places in Asia or latinamerica, it also brought mexican immigrants, whose own culture of storytelling and fiber arts  resonated with him. After studying literature, folklore, and weaving in Kentucky, Jesse earned an artist enrichment grant that allowed him to travel in Chile and Bolivia to learn further techniques in textile arts. Although deeply rooted in appalachian culture but not fully comfortable there, he eventually felt at home in Mexico City where he continues to explore identity in the context of late capitalism. 
	Jesse taking inspiration from a childhood love of comic book heroes that in actuality function as tools of colonialism and propganda for right/wrong as determined by the American empire, his heroes are now those who live on the fringes of or against this society, making up their own rules (or lack thereof) as they go. “Varios Santos” is an ongoing project of masks, photo, comics, and performance that imagines these heroes as Saints of mischief, shamelessness, ecoterrorism, the highway, sadness, etc. made in or inspired by Todos Santos and surroundings as he collaborates with Otra Cosa Sin Nombre Todos Santos.
OCSN / TODOS SANTOS, 2026






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		<title>angelflores</title>
				
		<link>https://otracosasinnombre.com/angelflores</link>

		<pubDate>Fri, 09 Jan 2026 20:05:18 +0000</pubDate>

		<dc:creator>otra cosa sin nombre</dc:creator>

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		<description>
RESIDENCIA TODOS SANTOS I&#38;nbsp;
UNO ROMANO
Ángel Baltazar Flores

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 Ángel Baltazar Flores Lagunes es artista visual y grabador. Su práctica se ha construido a partir del oficio, el desplazamiento y una relación directa con los territorios que ha habitado. Formado en la Ciudad de México, realizó la Licenciatura en Artes Visuales en la ENAP–UNAM entre 1987 y 1991, donde estudió con artistas y teóricos fundamentales como Guillermo Zapfe, Luis Nishizawa, Jesús Mayagoitia, Francisco Castro Leñero y Gerardo López Padilla, además de cursar teoría del arte con Juan Acha. Su formación se expandió hacia el cruce entre imagen y sonido a través del estudio de composición musical por medio del dibujo con el sistema UPIC, desarrollado por Iannis Xenakis, así como hacia procesos materiales como el papel hecho a mano y la serigrafía.
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Aunque su trayectoria inicia en un contexto urbano marcado por la fotografía, la imprenta, el teatro y la producción escénica, uno de los momentos decisivos de su desarrollo ocurre a principios de los años dos mil, durante su estancia en Baja California Sur, particularmente en Todos Santos. En este periodo, Flores se vincula de manera profunda con el paisaje, la luz y los ritmos del desierto, al tiempo que se desempeña como gerente de galería, guía de turistas, rotulista, pintor de casas y gestor de espacios culturales y de hospitalidad. Estas experiencias consolidan una ética del trabajo manual y una comprensión expandida del arte como práctica situada y cotidiana.

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	La residencia artística que actualmente cursa en la nueva sede de Otra cosa sin nombre en Todos Santos activa ese vínculo previo desde una perspectiva madura y reflexiva. Más que un regreso, este periodo funciona como una relectura: el artista retoma el grabado como un espacio de condensación de experiencias acumuladas, saberes técnicos y memorias materiales. La gráfica aparece aquí como registro, como huella y como sistema de pensamiento, donde confluyen disciplina, improvisación y observación atenta del entorno.



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El trabajo desarrollado durante la residencia se inscribe así en una práctica que no busca separar vida y obra, sino hacerlas coexistir. Las piezas resultantes son testimonio de un proceso sostenido en el tiempo, donde el oficio, el lugar y la experiencia se entrelazan para producir lo que al mismo tiempo es ejercicio técnico, archivo sensible y forma de permanencia.

	Ángel Baltazar Flores Lagunes is a visual artist and printmaker. His practice has been shaped through craft, displacement, and a direct relationship with the territories he has inhabited. Trained in Mexico City, he completed a Bachelor’s degree in Visual Arts at ENAP–UNAM between 1987 and 1991, where he studied with key artists and theorists such as Guillermo Zapfe, Luis Nishizawa, Jesús Mayagoitia, Francisco Castro Leñero, and Gerardo López Padilla, and took courses in art theory with Juan Acha. His education expanded into the intersection of image and sound through the study of musical composition via drawing using the UPIC system developed by Iannis Xenakis, as well as through material processes such as handmade paper and screen printing.


Although his career began in an urban context shaped by photography, print shops, theater, and stage production, one of the defining moments of his development took place in the early 2000s during his stay in Baja California Sur, particularly in Todos Santos. During this period, Flores developed a deep connection with the landscape, light, and rhythms of the desert, while working as a gallery manager, tour guide, sign painter, house painter, and facilitator of cultural and hospitality spaces. These experiences helped consolidate an ethic of manual labor and an expanded understanding of art as a situated, everyday practice. 

	The artistic residency he is currently undertaking at the new location of Otra cosa sin nombre in Todos Santos reactivates this earlier bond from a mature and reflective perspective. Rather than a return, this period functions as a re-reading: the artist revisits printmaking as a space where accumulated experiences, technical knowledge, and material memory converge. Here, graphic work emerges as record, trace, and system of thought, bringing together discipline, improvisation, and close observation of the surrounding environment.


The work developed during the residency thus belongs to a practice that does not seek to separate life from art, but to allow them to coexist. The resulting pieces testify to a process sustained over time, in which craft, place, and experience intertwine to produce a graphic practice that is simultaneously a technical exercise, a sensitive archive, and a form of permanence. 
OCSN / TODOS SANTOS, 2026





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